Cathryn Fox's HOOKED ON YOU, about what happens when a woman stuck in academia mistakes a billionaire CEO for a a small-town Nova Scotia Lobster fisherman after he saves her from a runaway horse-drawn buggy, to Candace Havens at Entangled Amara, by Elaine Spencer
Kimberley Troutte's SURVIVOR LOST, to Ryan Macgavin at Audible, in a nice three-book deal, by Elaine Spencer
Jules Bennett's untitled novel, to be included in the new Seven Sins continuity series, to Stacy Boyd at Harlequin Desire, by Elaine Spencer
Amy Jarecki's THE HIGHLAND ROGUE, the seventh book in the Lords of the Highland series, in which two characters face tempests, pirates, deceit, and ruin—yet the danger to their lives is nothing compared to the danger to their hearts—to Leah Hultenschmidt at Forever in a two-book deal, by
Leila Rafei's THE RIOT ON RAMSES STREET, set in Cairo during the Arab Spring and told through the eyes of three interconnected individuals who are caught in the whirlwind as they examine their own life choices and deal with the inevitable heartbreak that follows when revolution is not always
Dakota Cassidy's THE ACCIDENTAL UNICORN, to Daniel Totten at Tantor Media, by Elaine Spencer
Lauren Hawkeye's SLOW HANDS, about what happens between the proprietor of a tattoo parlor and the lawyer hired to chase her out of her upscale new location, to Patience Bloom at Harlequin Dare, by Elaine Spencer
Karen Booth's Book Two in the new Seven Sins continuity series, to Patience Bloom at Harlequin Desire in a nice deal for publication in June 2020, by Melissa Jeglinski
Kerry Schafer writing as Kerry Anne King's A BORROWED LIFE, in which the repressed widow of a controlling man finds new life and love through the character she plays in a community theater production, only to have her blossoming freedom threatened by a late-in-life, out-of-wedlock
Debbie Mason's MISTLETOE COTTAGE, to Nisa Pisarkova at Ersen (Estonia), on behalf of Elaine Spencer
We don’t make movies to make money, we make money to make more movies.
- Walt Disney
Black Entertainment Television produced Jacquelin Thomas’s HIDDEN BLESSINGS (BET Books) for cable television in 2000.
Cara Lockwood’s I DO (BUT I DON’T), published by Pocket Books/Downtown Press, was already a national bestseller in its third printing when film rights were optioned by Ira Pincus Films, in association with von Zerneck/Sertner Films. The novel became a Lifetime Original Movie starring Denise Richards and Dean
I CHOOSE TO STAY (DaFina Books/Kensington) by Salome Thomas-El and Cecil Murphey has been optioned to Disney Studios, in partnership with Solaris Entertainment, for production as a major motion picture, THE MIGHTY BISHOPS. Filmmaking brother team Greg O’Connor and Gavin O’Connor will helm the project. The O’Connor brothers
NYT bestselling authors Don Piper and Cecil Murphey’s 90 MINUTES IN HEAVEN, in which Baptist minister Piper recounts his death, passage to heaven, and return to earth where he endures a long and grueling recovery and spiritual awakening, to Dawn Parouse Productions (PRISON BREAK, TRU CALLING) for a feature film
NYT bestselling author Gena Showalter’s RED HANDED, to Sony Pictures Television (Stargate SG-1), with Dan Wigutow Productions, by Sean Daily at Hotchkiss & Associates, on behalf of Deidre Knight at The Knight Agency.
Cara Lockwood’s BARD HIGH series, in which students discover that the books they’re reading in class have an uncanny influence over the events in their lives, to Susan Adler at Stun Productions, by Sean Daily at Hotchkiss and Associates, on behalf of Deidre Knight at The Knight Agency.
Beverly Brandt’s romantic comedy ROOM SERVICE, optioned to Emmett/Furla Films, by Deidre Knight at The Knight Agency, in association with Matthew Snyder at CAA.
Monica McKayhan’s INDIGO SUMMER books, about a high school freshman dealing with the pressure of sudden popularity in her new school, to Kimberly Ogletree and Karat Films (LOVE SONG, HAIR SHOW), by Sean Daily at Hotchkiss and Associates, on behalf of Pamela Harty at The Knight Agency.
David Cristofano’s THE GIRL SHE USED TO BE, about a woman who after 20 years in witness protection decides to trust the son of the mobster who she’s been running from since she was a little girl, to Mark Johnson’s Gran Via Productions (THE NOTEBOOK, MY SISTER’S KEEPER) and Julie
Every act of communication is a miracle of translation.
- Ken Liu
Rights for publication of works by Knight Agency authors overseas are handled by a network of foreign rights sub-agents and in some cases by The Knight Agency itself. Working on its own and in conjunction with skilled subsidiary rights agents, The Knight Agency has licensed rights on behalf of its clients in over 50 countries throughout the world.
All inquiries regarding the availability of foreign rights pertaining to Knight Agency titles should be directed at email@example.com
The Knight Agency is proud to be in partnership with the following talented group of foreign sub-agents.
Whitney Lee of the Fielding Agency, handling select titles in Brazil, Bulgaria, China, Croatia, Czech Republic, Estonia, Greece, Hungary, Israel, Korea, Latvia, Lithuania, Poland, Portugal, Romania, Russia, Serbia, Slovak Republic, Taiwan, United Kingdom
PNLA & Associati Srl / Piergiorgio Nicolazzini Literary Agency
The Lennart Sane Agency
Brazil, The Netherlands, Scandinavia, Spain*, and Spanish-Speaking Countries*
Kristin Olson Literary Agency s.r.o.
Julio F-Yanez, Agencia Literaria, S.L.
Thomas Schlück Literary Agency
Agence Litteraire Lenclud
Read N Right Agency
Kayi Literary Agency Ltd.
Katai & Bolza Literary Agents
Poland, Albania, Slovenia
Nova Littera Ltd
ANA Sophia Ltd
*except titles represented by Lucienne Diver, which are handled by the Julio F-Yáñez, Agencia Literaria, S.L.