Christina Henry's THE GHOST TREE, NEAR THE BONE, and HORSEMAN, to Beatrice Lampe at Blanvalet (Germany), in a very nice three-book deal, by Sarah Knofius at Thomas Schlueck Agency on behalf of Lucienne Diver
N.K. Jemisin's THE CITY WE BECAME, to Schwarcz (Brazil), in a nice deal, by International Editors' on behalf of Lucienne Diver
Author of the Bodies of Evidence series Wendy Roberts's BURNING HOPE, a small-town mystery featuring a van-dwelling drifter heroine who can see visions through fire and lands in quite the predicament when she stumbles over a dead body, to Stephanie Doig at Carina Press
Lilith Saintcrow's next two paranormal romance novels and two new Ghost Squad novels, to Brenda Chin at Imajinn, in a nice four-book deal, by Lucienne Diver
J.L. Delozier's THE PHOTO THIEF, in which a grieving detective risks his career to help a reclusive, epileptic teen who claims her mother's death was murder—and that she can speak to the dead, including his daughter—to Sue Arroyo at CamCat Books with Helga Schier editing, in a
Amber Morrell's THE MAGIC METHOD, in which a 12-year-old entomologist realizes the world of science might not be so different from the world of magic—until her experiments have sinister consequences—to Nivair Gabriel at Albert Whitman, in a nice pre-empt, by Travis Pennington
Author of DISASTER GIRL Michelle Dayton's ESCAPE GIRL and GRINCH GIRL, books three and four in her Technically Love series, to Meghan Farrell at Tule in a two-book deal, by Janna Bonikowski
Jacquelin Thomas's next three books in her Polk Island series, to Katie Gowrie at Harlequin Heartwarming, in a three-book deal, by Pamela Harty
Author of DAUGHTERS OF THE NIGHT SKY and ACROSS THE WINDING RIVER Aimie Runyan's TEMPEST OVER SAINTE COLOMBE, the story of a woman who finds herself unmoored and compelled to settle in the small Provence village that was her late mother's birthplace, pitched as A Year In Provence
Damyanti Biswas's THE BLUE BAR, about a Mumbai bar dancer who vanishes after taking eerie assignments from a mystery client, to Jessica Tribble at Thomas & Mercer in a two-book deal, by Lucienne Diver
We don’t make movies to make money, we make money to make more movies.
- Walt Disney
N.K. Jemisin's Hugo Award-winning THE BROKEN EARTH trilogy, to Shary Shirazi and Rikki Jarrett at Sony Pictures' Tristar, with Jemisin adapting, in a major deal for seven figures at auction, by Hotchkiss Daily & Associates on behalf of Lucienne Diver
N.K. Jemisin’s Hugo Award-winning sci-fi fantasy novel The Fifth Season is getting the drama series treatment at TNT. The project is in early development at the cable network with Leigh Dana Jackson (24: Legacy, Sleepy Hollow) set to pen the adaptation and Imperative Entertainment’s (All the Money
Ramez Naam’s NEXUS, about a drug that links minds and the resulting conflict to control it and define humanity, to Paramount with Disruption Entertainment by Sean Daily at Hotchkiss and Associates on behalf of Lucienne Diver.
Cara Lockwood’s I DO (BUT I DON’T), published by Pocket Books/Downtown Press, was already a national bestseller in its third printing when film rights were optioned by Ira Pincus Films, in association with von Zerneck/Sertner Films. The novel became a Lifetime Original Movie starring Denise Richards and Dean
I CHOOSE TO STAY (DaFina Books/Kensington) by Salome Thomas-El and Cecil Murphey has been optioned to Disney Studios, in partnership with Solaris Entertainment, for production as a major motion picture, THE MIGHTY BISHOPS. Filmmaking brother team Greg O’Connor and Gavin O’Connor will helm the project. The O’Connor brothers
NYT bestselling authors Don Piper and Cecil Murphey’s 90 MINUTES IN HEAVEN, in which Baptist minister Piper recounts his death, passage to heaven, and return to earth where he endures a long and grueling recovery and spiritual awakening, to Dawn Parouse Productions (PRISON BREAK, TRU CALLING) for a feature film
Cara Lockwood’s BARD HIGH series, in which students discover that the books they’re reading in class have an uncanny influence over the events in their lives, to Susan Adler at Stun Productions, by Sean Daily at Hotchkiss and Associates, on behalf of Deidre Knight at The Knight Agency.
Monica McKayhan’s INDIGO SUMMER books, about a high school freshman dealing with the pressure of sudden popularity in her new school, to Kimberly Ogletree and Karat Films (LOVE SONG, HAIR SHOW), by Sean Daily at Hotchkiss and Associates, on behalf of Pamela Harty at The Knight Agency.
David Cristofano’s THE GIRL SHE USED TO BE, about a woman who after 20 years in witness protection decides to trust the son of the mobster who she’s been running from since she was a little girl, to Mark Johnson’s Gran Via Productions (THE NOTEBOOK, MY SISTER’S KEEPER) and Julie
Film rights to Marley Gibson’s GHOST HUNTRESS series, about a sixteen-year-old girl who moves from Chicago to an historic Southern town and begins to discover her latent psychic powers (the third in the series THE REASON, will be published in May) to Shoulderhill Entertainment, by Sean Daily at
Sean Daily at Hotchkiss and Associates sold dramatic rights to Sara Lunsford’s memoir SWEET HELL ON FIRE to CBS Television Studios. The subtitle of the book (which Sourcebooks published in paperback in November) is “A Memoir of the Prison I Worked In and the Prison I Lived In”; it chronicles
90 MINUTES IN HEAVEN by Don Piper and Cecil Murphey, which recounts Don’s death experience, is being made into a film by Family Christian Entertainment, the new sister company of the nation’s largest Christian retailer, Family Christian Stores. Kate Bosworth (SUPERMAN RETURNS) and Hayden Christensen (STAR WARS) will star. Michael
Every act of communication is a miracle of translation.
- Ken Liu
Rights for publication of works by Knight Agency authors overseas are handled by a network of foreign rights sub-agents and in some cases by The Knight Agency itself. Working on its own and in conjunction with skilled subsidiary rights agents, The Knight Agency has licensed rights on behalf of its clients in over 50 countries throughout the world.
All inquiries regarding the availability of foreign rights pertaining to Knight Agency titles should be directed at firstname.lastname@example.org
The Knight Agency is proud to be in partnership with the following talented group of foreign sub-agents.
Bulgaria, Serbia, Romania
ANA Sophia Ltd
PNLA & Associati Srl
Kristin Olson Literary Agency
Spain, Portugal, Mexico, Central and South America
Agencia Literaria, S.L.
Thomas Schlück Literary Agency
Anne Lenclud or Pierre Lenclud
Agence Litteraire Lenclud
Read N Right Agency
Kayi Literary Agency Ltd.
Katai & Bolza Literary Agents
The Israeli Association of Book Publishers Ltd.
Poland, Albania, Slovenia, Estonia
Nova Littera Ltd
Tuttle-Mori Agency, Inc.
Duran Kim Agency
Scandinavia & The Netherlands
Lennart Sane Agency AB
China, Indonesia, Taiwan, Thailand, Vietnam