Deborah Blake's A MODERN WITCHCRAFT PRIMER: GODDESS EMPOWERMENT FOR THE KICK-ASS WOMAN, a guidebook to witchcraft as a female-focused religion, including detailed instructions on how to practice self-care in today's society through goddess worship and magic, to Daniela Rapp at St. Martin's Essentials, in
Jim Butcher and Kerrie Hughes's HEROIC HEARTS, a new paranormal fantasy anthology celebrating heroes who do the right thing when they are called upon (with stories by Butcher, Patricia Briggs, Charlaine Harris, Kelley Armstrong, Rachel Caine, and others), to Anne Sowards at Ace, by Jennifer Jackson at Donald Maass
Nalini Singh's A MADNESS OF SUNSHINE, in which a woman fleeing personal tragedy returns to her remote hometown on New Zealand's brutal west coast and discovers not only the ghosts of her own past but a web of deadly secrets, to Cindy Hwang at Berkley in a good
Anne Marsh's HER INTERN, in which a female company owner gets a hot new male intern who isn't what he seems, the first in a new trilogy about three Silicon Valley executives; and The Brotherhood, a second trilogy centered around the Russian mafia in Miami, to Kathleen Scheibling
Rebecca Hunter's HOTTER ON ICE, the fourth book in her Blackmore Inc. series, in which a bodyguard falls for his client while on a trip to Sweden; as well as a new trilogy featuring sexy vacation romances at a luxury resort in Hawaii, to Katie Gowrie at Harlequin Dare
Cat Sebastian's IDLE HANDS, her first female/female regency historical novella about a thief and the women who steals her heart, to Elle Keck at Avon Impulse for publication in summer 2019, by Deidre Knight
TJ Klune's THE BONES BENEATH MY SKIN, to Cecile Lederman at MxM Bookmark (France) in a nice deal, on behalf of Elaine Spencer
Hailey Edwards's HOW TO LIVE AN UNDEAD LIE and an untitled BEGINNER'S GUIDE TO NECROMANCY BOOK 6, to Kim Budnick at Tantor Media in a nice two-book deal, by Lucienne Diver
We don’t make movies to make money, we make money to make more movies.
- Walt Disney
Black Entertainment Television produced Jacquelin Thomas’s HIDDEN BLESSINGS (BET Books) for cable television in 2000.
Cara Lockwood’s I DO (BUT I DON’T), published by Pocket Books/Downtown Press, was already a national bestseller in its third printing when film rights were optioned by Ira Pincus Films, in association with von Zerneck/Sertner Films. The novel became a Lifetime Original Movie starring Denise Richards and Dean
I CHOOSE TO STAY (DaFina Books/Kensington) by Salome Thomas-El and Cecil Murphey has been optioned to Disney Studios, in partnership with Solaris Entertainment, for production as a major motion picture, THE MIGHTY BISHOPS. Filmmaking brother team Greg O’Connor and Gavin O’Connor will helm the project. The O’Connor brothers
NYT bestselling authors Don Piper and Cecil Murphey’s 90 MINUTES IN HEAVEN, in which Baptist minister Piper recounts his death, passage to heaven, and return to earth where he endures a long and grueling recovery and spiritual awakening, to Dawn Parouse Productions (PRISON BREAK, TRU CALLING) for a feature film
NYT bestselling author Gena Showalter’s RED HANDED, to Sony Pictures Television (Stargate SG-1), with Dan Wigutow Productions, by Sean Daily at Hotchkiss & Associates, on behalf of Deidre Knight at The Knight Agency.
Cara Lockwood’s BARD HIGH series, in which students discover that the books they’re reading in class have an uncanny influence over the events in their lives, to Susan Adler at Stun Productions, by Sean Daily at Hotchkiss and Associates, on behalf of Deidre Knight at The Knight Agency.
Beverly Brandt’s romantic comedy ROOM SERVICE, optioned to Emmett/Furla Films, by Deidre Knight at The Knight Agency, in association with Matthew Snyder at CAA.
Monica McKayhan’s INDIGO SUMMER books, about a high school freshman dealing with the pressure of sudden popularity in her new school, to Kimberly Ogletree and Karat Films (LOVE SONG, HAIR SHOW), by Sean Daily at Hotchkiss and Associates, on behalf of Pamela Harty at The Knight Agency.
David Cristofano’s THE GIRL SHE USED TO BE, about a woman who after 20 years in witness protection decides to trust the son of the mobster who she’s been running from since she was a little girl, to Mark Johnson’s Gran Via Productions (THE NOTEBOOK, MY SISTER’S KEEPER) and Julie
Every act of communication is a miracle of translation.
- Ken Liu
Rights for publication of works by Knight Agency authors overseas are handled by a network of foreign rights sub-agents and in some cases by The Knight Agency itself. Working on its own and in conjunction with skilled subsidiary rights agents, The Knight Agency has licensed rights on behalf of its clients in over 50 countries throughout the world.
All inquiries regarding the availability of foreign rights pertaining to Knight Agency titles should be directed at email@example.com
The Knight Agency is proud to be in partnership with the following talented group of foreign sub-agents.
Whitney Lee of the Fielding Agency, handling select titles in Brazil, Bulgaria, China, Croatia, Czech Republic, Estonia, Greece, Hungary, Isreal, Korea, Latvia, Lithuania, Poland, Portugal, Romania, Russia, Serbia, Slovak Republic, Slovenia, Taiwan, United Kingdom
PNLA & Associati Srl / Piergiorgio Nicolazzini Literary Agency
The Lennart Sane Agency
Brazil, The Netherlands, Scandinavia, Spain*, and Spanish-Speaking Countries*
Kristin Olson Literary Agency s.r.o.
Julio F-Yanez, Agencia Literaria, S.L.
Thomas Schlück Literary Agency
Agence Litteraire Lenclud
Read N Right Agency
Kayi Literary Agency Ltd.
Katai & Bolza Literary Agents
Nova Littera Ltd
ANA Sophia Ltd
*except titles represented by Lucienne Diver, which are handled by the Julio F-Yáñez, Agencia Literaria, S.L.