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Katharine Gregorio's THE WOMAN WHO BROKE THE IRON CURTAIN, the story of the author's great-aunt Katharine Clark, a trailblazer who overcame personal obstacles to pioneer a career in a man's profession, providing essential eyewitness reports of postwar Europe and life behind the Iron Curtain, to Erin

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Vaishnavi Patel's KAIKEYI, which reimagines the life of the vilified queen of the Indian epic the Ramayana from her childhood as an overlooked princess to her role as a warrior, diplomat, and most-favored queen (and her ultimate downfall) to Priyanka Krishnan at Redhook, in a good two-book

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K.L. Armstrong's untitled standalone thriller, the story of a woman who has inherited a house in rural Florida—but not the good will of the insular townspeople, the police force, or the mysterious woman squatting in her shed—to Bhavna Chauhan at Doubleday Canada, in an exclusive submission for a

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Peggy Rothschild's THE BONE YARD, the first in a mystery series featuring an investigator-turned-dog trainer who moves to a coastal California town attempting a fresh start—only to find herself a suspect when her newest trainee digs up evidence of a murder—to Kristine Swartz at Berkley Prime Crime

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Kate McLaughlin's DAUGHTER, in which a 17-year-old discovers that her father is a notorious serial killer who will only give up his secrets to her, to Vicki Lame at Wednesday Books in a nice deal, by Deidre Knight

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Lucy Parker's sixth book in her London Celebrities series, returning to the eccentric Ford-Griffin family and their rambling estate first introduced in THE AUSTEN PLAYBOOK—but this time following the sometimes hapless, always adorable younger brother as he finds his own happily ever after—to Kerri Buckley at Carina Press

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Karen Booth's untitled conclusion to the latest iteration of the Texas Cattleman's Club series, in which two ranching families band together against a common enemy, to Patience Bloom at Harlequin Desire in a nice deal, by Melissa Jeglinski

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Jules Bennett's untitled book, part of the latest iteration of the Texas Cattleman's Club series, to Stacy Boyd at Harlequin Desire in a nice deal, by Elaine Spencer

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We don’t make movies to make money, we make money to make more movies.

- Walt Disney

Film Options

All film and dramatic enquiries should be directed to: Deidre Knight at Deidre.Knight(AT)

Every act of communication is a miracle of translation.

- Ken Liu

Foreign Rights

Rights for publication of works by Knight Agency authors overseas are handled by a network of foreign rights sub-agents and in some cases by The Knight Agency itself. Working on its own and in conjunction with skilled subsidiary rights agents, The Knight Agency has licensed rights on behalf of its clients in over 50 countries throughout the world.

All inquiries regarding the availability of foreign rights pertaining to Knight Agency titles should be directed at

The Knight Agency is proud to be in partnership with the following talented group of foreign sub-agents.

Bulgaria, Serbia, Romania
Mira Droumeva
ANA Sophia Ltd

Maura Solinas
PNLA & Associati Srl

Czech Republic
Kristin Olson
Kristin Olson Literary Agency

Spain, Portugal, Mexico, Central and South America
Julio F-Yanez
Agencia Literaria, S.L.

Bastian Schlueck
Thomas Schlück Literary Agency

Anne Lenclud or Pierre Lenclud
Agence Litteraire Lenclud

Nike Davarinou
Read N Right Agency

Fusun Kayi
Kayi Literary Agency Ltd.

Peter Bolza
Katai & Bolza Literary Agents

Beverley Levit
The Israeli Association of Book Publishers Ltd.

Poland, Albania, Slovenia
Filip Wojciechowski

Konstantin Palchikov
Nova Littera Ltd

Misa Morikawa
Tuttle-Mori Agency, Inc.

Duran Kim
Duran Kim Agency

Scandinavia & The Netherlands
Philip Sane
Lennart Sane Agency AB

China, Indonesia, Taiwan, Thailand, Vietnam
Gray Tan
Grayhawk Agency