Erin Bartels’s DEEP CUT, in which a down-on-his-luck musician connects with a young woman he does not expect, and THE MAN IN THE MIDDLE DISTANCE, a dual-timeline narrative that follows a once-obscure Impressionist-era artist and the modern-day museum employee determined to acquire one of the paintings she believes is rightfully hers, to Kelsey Bowen at Revell in a nice two-book deal, by Nephele Tempest

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